2009 Add-ons

Creative Team

Text by Joeri Smet, Alexander Devriendt & the cast
Director Alexander Devriendt
Set and Costume Designer Sophie De Somere
Sound Designer Stijn De Gezelle
Lighting Designer Jeroen Doise
Dramaturg Mieke Versyp
Technical Director Geert Willems

 

With Aaron De Keyzer, Barbara Lefebure, Charlotte De Bruyne, Jorge De Geest, Dina Dooreman, Edith De Bruyne, Edouard Devriendt, Elies Van Renterghem, Febe De Geest, Verona Verbakel, Ian Ghysels, Koba Ryckewaert, Fée Roels, Nathalie Verbeke

 
Email Reminder
 
 

Sydney Theatre Company presents

Once and for all we're gonna tell you who we are so shut up and listen
A production by Ontroerend Goed, Kopergietery & Richard Jordan Productions Ltd

 

“We're gonna do a play about teenagers
but about a lot more than teenagers
who feel like teenagers during their teens:
about the utter chaos in our heads,
the urge to go far too far, pimples
and dozens of other topics that will enrich your lives
We'll pull down the barriers between the way we are onstage and off
We'll update the definition of puberty
We get on your nerves, but for once you'll understand why.
We will make all other art on puberty superfluous
You'll think we're super cool.”



From the creators of The Smile Off Your Face (2009 Sydney Festival), comes Once and for all we’re gonna tell you who we are so shut up and listen, a play performed by 13 teenagers. 13 teenagers who are rebellious, try to grasp themselves, behave aggressively, feel vulnerable, are cool, play like children, but are sometimes surprisingly adult.



“***** captures this passionate, invincible chapter in all our lives, and slams it – kicking, playful and wild – onto the stage.”
– The Guardian



WINNER Fringe First Award 2008 Edinburgh Fringe Festival
WINNER Herald Angels Award 2008 Edinburgh Fringe Festival
WINNER Total Theatre Award 2008 Edinburgh Fringe Festival

View Youtube trailer here

 

Additional Reading

Alexander Devriendt on
Once and for all
Interview by Mieke Versyp
 
Why a performance about puberty?

‘Because my own puberty was the most exciting time of my life, because of the freedom that I experienced then, the awareness that my own personality was developing...
The choices that one makes in puberty – perhaps the very first choices you ever make – are decisive for the rest of your life. You can become a criminal between 14 and 18 – or a saint, or full of anger. That makes puberty one of the biggest transformations in a human life. A transformation from nobody to somebody. Puberty is a point of no return. Some kind of waking up.’

The performance is also about the perception of adolescents, about the clichés that surround puberty... Whereas the Dutch title, Pubers bestaan niet, suggests that adolescents don’t exist.
 
I react against the meekness, the poetry, the melancholy that is connected with “the adolescent”.

This age has so much roughness. I seldom see people pointing that out. It’s in this period that you take the freedom to be ‘rude’, fully aware that you will be forgiven for that. For a while.A teacher once said to me: you can criticize everything and you don’t need to give an alternative. So say it, destroy! And at the same time, you start to care about what others think of you. A very paradoxical age indeed.

What the Dutch title expresses is that people of that age don’t consider themselves ‘adolescents’. Because it’s a somewhat negative term, especially used by parents. Don’t pin us down, they say.
 
Why did you chose these 13 people?
 
For me, it was important that they felt prompted as players, that they understood what we were telling and that they trusted me. And had fun. Fun in handling the freedom that they got. Some I chose because they’re aware of so many things. Others because they’re wild and ‘cool’. Or the opposite. Or not on the outside, but all the more on the inside.

 

Dates & Prices

Wharf 2
14 – 29 August



Ticket prices:
Sat eve $50
Full (ex Sat eve) $45
Concession (ex Sat eve) $35
STC Season Ticket Holders $35
Under 30 $30