Sydney Theatre Company, Malthouse Melbourne and ThinIce present
The Trial
adapted by Louise Fox,
from the novel by Franz Kafka
Josef K is in trouble with a capital T. He’s been accused of something and no one will tell him exactly what. Despite his adamant protestations of innocence, K finds himself swept up on an inexorable tide of bureaucracy, dragged adrift by strange forces that are invisible, threatening and unstoppable. He knows that the law court is intent on punishing guilt but just what ‘guilt’ is is growing ever more ambiguous.
Once a confident, obsessive and hardworking bank clerk, when K becomes embroiled in this surreal, utterly frustrating and inescapable court trial, he begins to transform into an entirely different person. The memories of airless, claustrophobic rooms haunt him wherever he goes and court offi cials appear from the darkest corners of the most unexpected places. Slowly, gradually, his composed demeanour is eroded and - as the world around him becomes increasingly nightmare-like - reality slips from his grasp.
The indefinable, elusive and mysterious power of Franz Kafka’s writing is captured in Louise Fox’s brand new adaptation of his landmark novel. Revelling in Kafka’s wit, clowning, farce and obsession with the erotic, this production, directed by Matthew Lutton, marks our second collaboration with his celebrated Perth-based company ThinIce, and features John Gaden and Ewen Leslie.
1 Hour 50 Minutes, No Interval
Warning: This production contains cigarette smoke.
Check out the Malthouse Theatre's video trailer here.
Watch the Art Nation interview with Ewen Leslie here.
Reviews
"Lutton creates a unique theatrical language, generating some astounding stage images.... This is truly an ensemble production by a first-class cast, with Leslie's performance the rivetting centre of a nightmarish parable for our time." - The Australian
"The Trial should be compulsory viewing for anyone who thought August: Osage County was where it's at, for this is that other way theatre can thrill and excite you - theatre that doesn't necssarily ask you to suspend your disbelief, but dances on the knife-edge of what is possible. Whatever your take on Kafka's story - metaphorical, allegorical, notional, whatever - this is a gripping, electrifying vision of one man's hell." - Time Out Sydney
"8/10...With its brilliantly drilled and capable cast; a restless score of electronic sound effects... and its broad streak of earthy humour, The Trial is anything but the ordeal its title might suggest." - The Sun Herald
"...productions like this one only appear once in a blue moon." Concrete Playground