Blood Wedding on the STC Blog
  • My Big Fat Spanish Wedding: Designer Rufus Didwiszus on finding the right look for Blood Wedding
    See the full gallery on Posterous (Leaves in the props department, image by Grant Sparkes-Carroll; production images both by Brett Boardman; Didwiszus talking to director Iain Sinclair and the model box for Blood Wedding, both by Grant Sparkes-Carroll) When set designer Rufus Didwiszus beg...
  • VIDEO: Zindzi Okenyo and Guitarist Andrew Veivers performing a song from Blood Wedding.
    The haunting songs from Blood Wedding have been filling the corridors and rehearsal rooms of The Wharf for the last few weeks. Composer Andrew Veivers goes back to the pre-Flamenco roots of cante jondo guitar work in Iain Sinclair's earthy adaptation of Blood Wedding. Here's a sneak peek from the re...
  • SNEAK PEEK: Things are warming up in the Blood Wedding rehearsal room
    After more than a month of intensive rehearsal, the cast and creative team are well and truly into the thick of the process of finding the 'duende' in GarcĂ­a Lorca's masterpiece. It promises to be a spectacular journey, and here they give us a glimpse into their rehearsal room: Blood Wedding ...
 
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Sydney Theatre Company presents
Blood Wedding
by Federico Garcia Lorca
Translated by Iain Sinclair

 

Blood Wedding begins with a son announcing his intention to marry. News to be celebrated by all but his mother, whose joy is smothered by a terrible feeling of fear and foreboding. His intended is good, modest and hardworking. So why does the utterance of this sweet girl’s name feel like a rock in his mother’s face?

History pulses through the veins of the tiny rural community; the passions and blood shed in its past cannot be washed away with water. While the mother is haunted by ghosts of the past, her would be daughter-in-law is gripped by a phantom of her own. An all-consuming lust has taken possession of the girl, bringing with it the threat of humiliation, vilification and ultimately destruction.

Dramatising the brutal struggle between a socially sanctioned relationship and an all-engulfing erotic desire, Blood Wedding exposes the power that society has to stifle individuality. It is a play of exquisite beauty that nods to Shakespeare, Lope de Vega and the other playwrights of the Spanish Golden Age while also possessing the surreal , poetic qualities and emotional fervour that characterise Lorca’s writing.

 

Director, Iain Sinclair says that this production ‘will take a clear-eyed view of the deep misogyny in ancient life and shine a bright light on the corners of contemporary life where ancient evils still flourish’. Primal and immediate, Iain’s new adaptation reaches beyond the pastoral imagery to grasp at the menacingly dark heart of the story.

 

WHARF 1
Schools Day
Wed 17 August
Pre-show Intro 10:30am, 45 minutes
Performance 12:15pm
Duration 1 Hour 50 Minutes, no interval
Post-show Q&A immediately following, 15 minutes

Content Adult themes

Suits Years 9 - 12

Cost $21/student

 

Curriculum Links: 
Drama - Elements of Drama: Symbol

English - Language and Gender

Cross-curriculum - Gender

 

Resources:  Comprehensive student and teacher resources provided

Blood Wedding Resources - Pre-production

Download background information and pre-production activities specifically designed to prepare students for this production of Blood Wedding.

Blood Wedding Resources - True to your Heart

Download post-production activities and discussion questions specifically designed to further your exploration of the conflict between individual and social responsibility in Blood Wedding.

Blood Wedding Resources - Like a Flower

Download post-production activities and discussion questions specifically designed to further your exploration of Lorca's use of language, symbol and metaphor in Blood Wedding.

Dates & Prices

Schools Day Wed 17 August
Pre-show Intro 10:30am, 45 minutes
Performance 12:15pm
Duration 1 Hour 50 Minutes, no interval
Post-show Q&A immediately following, 15 minutes

 

Pre-season Briefing
Monday 25 July 6.15pm
Held at The Wharf

Creative Team

by Federico Garcia Lorca
Translated by Iain Sinclair

Director Iain Sinclair
Set Designer Rufus Didwiszus
Composer & Sound Designer Max Lyandvert

With Lynette Curran, Julia Ohannessian, Zindzi Okenyo, Leah Purcell, Sophie Ross, Kenneth Spiteri

 

2011 Booking Forms