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2022
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Podcast: David Marr On Patrick White, A Cheery Soul And The Indefatigable Miss Docker

2018

Podcast: David Marr On Patrick White, A Cheery Soul And The Indefatigable Miss Docker

Video: Sarah Peirse on the 'magnificent and terrible' Miss Docker

2018

Video: Sarah Peirse on the 'magnificent and terrible' Miss Docker

Gallery: Five Decades of Miss Dockers

2018

Gallery: Five Decades of Miss Dockers

The changing portrayals

Essay: Patrick White – The Final Chapter

2018

Essay: Patrick White – The Final Chapter

By David Marr

Feature: Comedy in the Face of Deadly Corruption

2018

Feature: Comedy in the Face of Deadly Corruption

with Dario Fo

Archive: Nick Schlieper

2018

Archive: Nick Schlieper

A legend of lighting design

Archive: Imara Savage

2018

Archive: Imara Savage

Our Resident Director's work at STC

Archive: Renée Mulder

2018

Archive: Renée Mulder

Set and costume designs from a great talent

Archive: Helen Thomson

2018

Archive: Helen Thomson

The many and glorious roles of this STC regular

Archive: Amber McMahon

2018

Archive: Amber McMahon

One of our country's finest comedic actors

Feature: A Historical Timeline of Surry Hills

2018

Feature: A Historical Timeline of Surry Hills

Settlement, slums and demolition

Q&A: Designer Jonathon Oxlade

2018

Q&A: Designer Jonathon Oxlade

On Accidental Death of an Anarchist.

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Magazine

Sydney Theatre Company’s online Magazine is a vibrant tangle of interviews, features, videos, podcasts, profiles, photo galleries, essays and archival material, shining light on the work that we do and the talented people working with us. We talk to actors, directors, playwrights, composers, designers and STC staff members about their work, their lives and their inspiration. We also discuss the world of theatre, exploring global themes in the arts and cultural landscapes.

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Sydney Theatre Company acknowledges the Gadigal people of the Eora nation who are the traditional custodians of the land on which the company gathers. We pay our respects to Elders past and present, and we extend that respect to all Aboriginal and Torres Strait Islander people with whom we work and with whom we share stories.

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