A few years ago, I visited an exhibition at the State Library of Western Australia showcasing the original artwork for Cicada. Alongside Shaun Tan’s exquisite paintings were the remnants of his artistic process – an assortment of sketches, scribbles, models and sculptures. It didn’t take long for my imagination to start turning. Before me lay what felt like a miniature theatrical world.

That same day, a group of Year Five students happened to be visiting the exhibition. Being there with them was electric; their love for the story was palpable, and their teacher spoke passionately about the profound impact it had on her classroom. The final piece of inspiration came a few months later, when Tim Watts and I spent several afternoons experimenting with what a Cicada puppet might look and feel like. Even then, with just an old glove and a piece of foam as a prototype, I knew Cicada was in safe and inspired hands.

From the outset, Shaun Tan encouraged Arielle, Tim and me to find our own way with this adaptation – to feel free to expand upon his original story and discover its theatrical form. He generously shared a series of early sketches and story ideas that didn’t make it in to the final book, many of which now live on in our production.

The story of Cicada will mean different things to different people. Shaun is a master of inclusive storytelling, speaking to both children and adults alike across cultures and contexts. His stories don’t offer a single message; instead, they act as mirrors, reflecting meaning back to the reader. Central to any interpretation of Cicada, though, is the attitude of its hero, who possesses profound self-understanding and self-love – a kind of “immunity to hate and despair” – even in the most challenging of circumstances. Whatever audiences take away from this story, I hope Cicada’s humble self-assurance shines through.

Creating this work with Arielle, Tim, and the team has been a true joy. We hope you enjoy the show.