Switzerland

Finely-plotted, suspenseful and surprising, Switzerland is a new work by celebrated Australian playwright Joanna Murray-Smith

3 Nov - 20 Dec 2014

Drama Theatre, Sydney Opera House

The Play

EVENT CLOSED


'Love is what interests me. And love is indivisible from murder.'

Sydney Theatre Company
by special arrangement with Geffen Playhouse, Los Angeles, presents the Co-World Premiere of

SWITZERLAND

By Joanna Murray-Smith

The sharper the wits, the higher the stakes

Somewhere in the Swiss alps, a grande dame of best-selling crime literature lives with an impressive collection of books, and a somewhat sinister collection of guns and knives. She finds solace in her seclusion, her cats and cigarettes. But when a mysterious international visitor barges in to her home unannounced, will her love of fictional murders become a dangerous reality?

Switzerland is an original thriller inspired by renowned master crime novelist Patricia Highsmith by Australian playwright Joanna Murray-Smith (Fury, 2013).

Highsmith’s books are the source of many cinematic adaptations - The Two Faces of January, The Talented Mr Ripley, Strangers on a Train - but in Switzerland the tables are turned and it is Patricia Highsmith herself who is the central character.

Resident Director Sarah Goodes (The Effect) guides a superbly talented cast, Sarah Peirse (Fury) and Eamon Farren (Mojo), in a production that will have you on the edge of your seat.

True to its genre, Switzerland kicks off with a knock at the door and spirals into a calculated contest of wits and words. In a Highsmith world, villains enjoy happy endings as often as their victims… who will make it out of Switzerland alive?

The best-selling author behind the character

Patricia Highsmith was born in Texas in 1921, the only child of her feuding artist parents. She grew up to have a macabre sense of humour, a fascination with psychological disorders and plethora of controversial opinions. Her friends described her as stingy, neurotic and cantankerous.

Her first novel, Strangers on a Train, was turned into a movie by Alfred Hitchcock. Her second, The Price of Salt, was a lesbian romance that defied 1950s conventions and sold almost a million copies.

Highsmith created some of the greatest suspense novels in modern literature, writing dozens of works that would become notorious for their startling violence and unstable, morally ambiguous characters. She became best known for the Ripley series and its eponymous criminal hero; a seductive, amoral libertine who gets away with murder.

Patricia Highsmith died in Switzerland in 1995. She was alone.

Duration: 1 hour 35 mins (no interval)
Warning: strong language

Production Patrons: Kim Williams AM and Catherine Dovey

Previews 3-6 Nov 2014
Season 8 Nov - 20 Dec 2014


Season Ticket prices
Saturday evening $85
Adult $83
Seniors cardholder $73
Concession $63
Preview $69
Under 30 $50

Casual ticket prices
Saturday evening $99
Adult $94
Senior $85
Concession $75
Under 30 $58
Preview $78 
C reserve $45

Transaction fees may apply


Pre-season Briefing
Wed 22 Oct 6.15pm
Wharf 2 Theatre

Captioned Performances
Wed 19 Nov 1pm
Fri 12 Dec 8pm

Audio Described Performances
Fri 5 Dec 8pm
Sat 6 Dec 2pm

Audi Night with the Actors
Mon 24 Nov 6.30pm

Director Sarah Goodes
Designer Michael Scott-Mitchell  
Lighting Designer Nick Schlieper
Composer and Sound Designer Steve Francis             
 
With
Eamon Farren, Sarah Peirse
 

Photo James Green

“Joanna Murray-Smith’s new play Switzerland, a gripping psychological thriller about renowned crime writer Patricia Highsmith, creeps up on you and then has you on the edge of your seat.” 4.5 star review, The Sunday Telegraph

“Murray-Smith’s work has never been darker or more compelling and Sydney Theatre Company’s world premiere production, directed by Sarah Goodes, explores Highsmith’s shadows with sophistication and two outstanding performances.” 4.5 star review, The Daily Review
 
“This dark, generously entertaining new play by Joanna Murray-Smith gets the sleek premiere it deserves. Everything about it shouts quality. Something about it whispers "Broadway potential". **** star review Sydney Morning Herald
 
“Murray-Smith’s dialogue sparkles with witty one-liners and delicious snark” **** star review, Time Out Sydney
 
“The twists in this multi-layered meta-thriller are fascinating” The Australian
 
“It’s scintillating, mesmerising, sexy, and more than a bit heady, as their exchanges become charged with a tangible buzz, a hum of possibility, danger” **** star review, Arts Hub
 
 
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